Industry standard tube mono compressor, classic on vocals and bass - possibly THE lonely island tracking comp
Inputs: +4 dB female XLR
Outputs: +4 dB male XLR
Stereo Link: 1/4″ mono Jack
Side Chain: 1/4 stereo jack for balanced signal input
Max input level: +26dBu
Max output level (XLR): +20dBu
Max gain: +34dBu
Frequency response: 20Hz- 20kHz +/- 1dB with 5dB compression
Signal to noise ratio: 124dB
THD + Noise: 0.09% @ 1kHz, 0dB out
Dynamic Range: 60dB
Vacuum tubes: single 12AX7A
Preise exkl. MwSt. zuzügl. Versandkosten
The world-renowned Summit Audio TLA-100A tube leveling amplifier has been regarded as a staple by studio and live engineers around the world for more than a quarter of a century.
The main thing that has made the TLA-100A an industry standard since it’s introduction in the mid-80s is that it’s one of the easiest compressors to use, allowing the focus to remain on the performance…not on the gear.
One of the main qualities that makes the TLA-100A so desirable is that it has the smooth program dependent sound of an optical compressor, but is capable of the much faster attack times required for taming fast transients found in source material such as vocals, bass, and drums.
Each piece of Summit gear is meticulously crafted by hand in our shop using only the best quality components and attention to detail. Quality components and engineering know-how are the critical element to the sound and longevity of audio gear.
Was soll man über den TLA 100 sagen, was nicht schon gesagt ist? Das Ding ist ein Klassiker wie es wenige gibt. Für viele Engineers ist es DER beste tracking comp überhaupt. Tatsache aber ist: Ich kenne keinen Kompressor der so “beruhigt” wie der TLA 100.